Home / Tag Archives: AWD

Tag Archives: AWD

SMIC selected in “Mainland Enterprises Listed in Hong Kong Ranking Award”

SHANGHAI, Aug. 29, 2014 /PRNewswire/ -- Semiconductor Manufacturing International Corporations ("SMIC"; NYSE: SMI; SEHK: 981) the largest and most advanced foundry in Mainland China, announced today, it was selected by Hong Kong Yazhou Zhoukan Limited in the Fourth Mainland Enterprises Listed in Hong Kong Ranking Award, and won the High-Tech Enterprise Award due to its exceptional business operations and outstanding performance.

Yazhou Zhoukan Limited was founded in 1987 in Hong Kong, covering matters on economics, political and social culture, which caught the attention of the Chinese worldwide. The Mainland Enterprises Listed in Hong Kong Ranking Award selects Mainland Enterprises listed in Hong Kong that has the best performance and is recognized by the market. Yazhou Zhoukan Limited's research department makes its decisions on the rankings based on audited data from the companies. To pick out the best performing companies from each industry, the market value, turnover and growth, net profit and net profit growth, total assets, as well as level of awareness and influence in the international capital market were all examined. SMIC has shown excellent financial performance such as 9 quarters of consecutive profit, gross profit margin, and net income. Additionally, in recent years, growth rate far exceeded industry standards, and corporate social responsibility has been fulfilled by actively carrying out environmental protection and charity work, to get into the final list and win the High-Tech Enterprise Award.

Dr. Tzu-Yin Chiu, SMIC's Chief Executive Officer and Executive Director expressed his gratitude by saying "It is an honor that SMIC has been chosen for this year's Mainland Enterprises Listed in Hong Kong Ranking Award by Yazhou Zhoukan Limited. The award reflects Hong Kong's market and financial media recognition for SMIC. In the future, SMIC will continue to improve its corporate governance and profitability, as well as work towards becoming a world-class manufacturer of integrated circuits and a high-quality listed company, to create greater value for our shareholders and the society."

About SMIC

Semiconductor Manufacturing International Corporation ("SMIC"; NYSE: SMI; SEHK: 981) is one of the leading integrated circuit wafer manufacturer in the world and the largest and most advanced wafer manufacturer in mainland China. SMIC provides integrated circuit (IC) foundry and technology services at 0.35-micron to 28-nanometer. Headquartered in Shanghai, China, SMIC has a 300mm wafer fabrication facility (fab) and a 200mm mega-fab in Shanghai; a 300mm mega-fab in Beijing and a majority owned 300mm fab for advance nodes under development; a 200mm fab in Tianjin; and a 200mm fab project under development in Shenzhen. SMIC also has marketing and customer service offices in the U.S., Europe, Japan, and Taiwan, and a representative office in Hong Kong. For more information, please visit www.smics.com.

Safe Harbor Statements

(Under the Private Securities Litigation Reform Act of 1995)

This document contains, in addition to historical information, "forward-looking statements" within the meaning of the "safe harbor" provisions of the U.S. Private Securities Litigation Reform Act of 1995. These forward-looking statements are based on SMIC's current assumptions, expectations and projections about future events. SMIC uses words like "believe," "anticipate," "intend," "estimate," "expect," "project" and similar expressions to identify forward looking statements, although not all forward-looking statements contain these words. These forward-looking statements are necessarily estimates reflecting the best judgment of SMIC's senior management and involve significant risks, both known and unknown, uncertainties and other factors that may cause SMIC's actual performance, financial condition or results of operations to be materially different from those suggested by the forward-looking statements including, among others, risks associated with cyclicality and market conditions in the semiconductor industry, intense competition, timely wafer acceptance by SMIC's customers, timely introduction of new technologies, SMIC's ability to ramp new products into volume, supply and demand for semiconductor foundry services, industry overcapacity, shortages in equipment, components and raw materials, availability of manufacturing capacity, financial stability in end markets and intensive intellectual property litigation in high tech industry.

In addition to the information contained in this document, you should also consider the information contained in our other filings with the SEC, including our annual report on Form 20-F filed with the SEC on April 14, 2014, especially in the "Risk Factors" section and such other documents that we may file with the SEC or SEHK from time to time, including on Form 6-K. Other unknown or unpredictable factors also could have material adverse effects on our future results, performance or achievements. In light of these risks, uncertainties, assumptions and factors, the forward-looking events discussed in this document may not occur. You are cautioned not to place undue reliance on these forward-looking statements, which speak only as of the date stated or, if no date is stated, as of the date of this document.

SMIC Contact Information:

English Media
Michael Cheung
Tel: +86-21-3861-0000 x16812
Email: Michael_Cheung@smics.com

Chinese Media
Angela Miao
Tel: +86-21-3861-0000 x10088
Email: Angela_Miao@smics.com



Read More »

Frost & Sullivan’s inaugural New Zealand Excellence Awards 2014 recognises 18 companies for best practices

AUCKLAND, New Zealand, Aug. 28, 2014 /PRNewswire/ -- Frost & Sullivan held its inaugural New Zealand Excellence Awards on 28 August 2014 at Villa Maria, presenting a total of 18 awards to companies across the industries of Food, Energy and Power, Healthcare and Information Communication Technologies.

Recipients of the 2014 Frost & Sullivan New Zealand Excellence Awards
Recipients of the 2014 Frost & Sullivan New Zealand Excellence Awards

The New Zealand Excellence Awards will be an annual event to honour companies that have demonstrated outstanding achievement and superior performance in their respective market segments.

"We are very proud to host the annual awards in New Zealand to celebrate the achievements of New Zealand companies. Frost & Sullivan's awards play an important role recognising those who are driving innovation and achieving best practices across various industries in the New Zealand market. This is our first year of awards in New Zealand, and we are pleased to be able to recognise exceptional accomplishments and exemplary achievements in several of the markets we operate in," said Andre Clarke, Country Manager, Frost & Sullivan New Zealand.

He added, "The awards reflect a lot of hard work by the recipients, and Frost & Sullivan is pleased to confer these awards in acknowledgment of this. We hope these awards encourage market players to continue to strive for greater success across industries.  As we continue to identify companies deserving distinction, I am confident that this awards banquet will continue to grow and be the most anticipated event of the year by the local business community."

Award recipients for the 2014 New Zealand Excellence Awards were identified based on extensive secondary research conducted by Frost & Sullivan's analysts, in-depth interviews and analysis. In order to identify best practices, companies are typically studied on their revenues, market share, capabilities, product or service innovation and overall contribution to the industry.

Frost & Sullivan congratulates all the recipients of the 2014 New Zealand Excellence Awards.

2014 Frost & Sullivan New Zealand Excellence Awards Recipients

Category

Award Recipient

--------------

-------------------------



Energy & Environment


-----------------------------------




2014 Asia Pacific Customer Value


Enhancement Award in DC Power


Systems

Enatel Ltd

-----------------------------------------------------

----------------



2014 New Zealand Energy Management


Services Company of the Year

ABB Limited

---------------------------------------------------------------

-------------------



2014 New Zealand Electric Vehicle


Charging Company of the Year   

Juicepoint

-------------------------------------------------------

----------------



2014 New Zealand Smart Grid


Solutions Company of the Year  

Silver Spring Networks

-------------------------------------------------

----------------------------------



2014 New Zealand Facilities


Management Company of the Year  

ISS Facility Services

--------------------------------------------------------

--------------------------------



Healthcare


-----------------




2014 New Zealand Mobile Health


Company of the Year         

Vensa Health

-----------------------------------------------------

--------------------



2014 New Zealand Medical Imaging


New Product Innovation Leadership


Award                            

Aranz Medical Limited

--------------------------------------------------------

-----------------------------------



2014 New Zealand Aged Care Industry


Emerging Company of the Year     

Bupa Care Services

------------------------------------------------------------

------------------------------



2014 New Zealand Aged Care Company


of the Year                     

Ryman Healthcare Ltd

---------------------------------------------------------------

----------------------------------



Food


--------




2014 New Zealand Animal Nutritional


Feed Company of the Year      

Alltech

-----------------------------------------------------------

-----------

2014 New Zealand Nutraceutical


Company of the Year        

Vitaco Health

---------------------------------------------------

---------------------

2014 New Zealand Edible Oil Company


of the Year                     

The Village Press

--------------------------------------------------------------

----------------------------



Information and Communication Technology


----------------------------------------------------------------------




2014 New Zealand Network Security


Vendor of the Year               

Check Point Software Technologies

--------------------------------------------------------

--------------------------------------------------------



2014 New Zealand Enterprise


Telephony System Integrator of the


Year                               

Cogent Limited

-------------------------------------------------------

------------------------



2014 New Zealand Contact Center


Outsourcing Service Provider of


the Year                         

Datacom

------------------------------------------------------

-------------



2014 New Zealand Unified


Communications System Integrator


of the Year                            

Spark Digital

-------------------------------------------------------

--------------------



2014 New Zealand Hosted Contact


Center Service Provider of the


Year                             

Spark Digital

------------------------------------------------------

-------------------



2014 New Zealand Data Center


Hosting Service Provider of the


Year                              

Spark Digital

-------------------------------------------------

-------------------

For more details on the 2014 New Zealand Excellence Awards log-in to http://www.frost-apac.com/newzealandawards. You may also connect with Frost & Sullivan on social media, including Twitter, Facebook, SlideShare, and LinkedIn, for the latest news and updates.  We also invite you to join the conversation using @FrostSullivanAP.

The 2014 Frost & Sullivan New Zealand Excellence Awards was held in conjunction with the Growth, Innovation and Leadership (GIL) Congress 2014: New Zealand.

About Frost & Sullivan

Frost & Sullivan, the Growth Partnership Company, works in collaboration with clients to leverage visionary innovation that addresses the global challenges and related growth opportunities that will make or break today's market participants. For more than 50 years, we have been developing growth strategies for the global 1000, emerging businesses, the public sector and the investment community. Is your organization prepared for the next profound wave of industry convergence, disruptive technologies, increasing competitive intensity, Mega Trends, breakthrough best practices, changing customer dynamics and emerging economies? Contact us: Start the discussion

Contact:

Donna Jeremiah
Corporate Communications -- Asia Pacific
P: +61 (02) 8247 8927
F: +61 (02) 9252 8066
E: djeremiah@frost.com

http://www.frost.com

Photo - http://photos.prnasia.com/prnh/20140828/8521404859

Read More »

Golden Teardrop by Arin Rungjang from Thailand Shortlisted as Finalist in Third Asia Pacific Breweries Foundation Signature Art Prize

15 finalists vying for SGD 60,000 Grand Prize revealed today

BANGKOK, Aug. 27, 2014 /PRNewswire/ -- The Singapore Art Museum (SAM) and Asia Pacific Breweries (APB) Foundation today announced the 15 finalists of the APB Foundation Signature Art Prize 2014. Now in its third installment, the prize spotlights the most compelling contemporary artworks created by artists in the Asia Pacific region over the last three years.

 

Selected by a panel of five eminent judges from around the region, the finalists' works were chosen from 105 nominated artworks from 24 countries and territories. Innovative and exciting creations from recent years, the contemporary artworks represent the very best of the region and are intentionally not limited by genre. Spanning various mediums from painting to sculpture, photography, video works and performance art, they each address topical issues and collectively shed light not just on our region's contemporary art landscape but also on the topics and conversations relevant in our society today.

The 15 finalists represent 13 countries and territories including Thailand, South Korea, Pakistan, Japan, Singapore, New Zealand, mainland China, Indonesia, Vietnam, Australia, India, Bangladesh and Taiwan. They include:

  • Golden Teardrop (2013) by Arin Rungjang from Thailand
  • Custos Cavum (Guardian of the hole) (2011) by Choe U-Ram from South Korea
  • Kahani Eik Shehr Ki (story of a city) (2012) by Farida Batool from Pakistan
  • One places / on "the room" (2013) by Go Watanabe from Japan
  • PYTHAGORAS (2013) by Ho Tzu Nyen from Singapore
  • In Pursuit of Venus (2012) by Lisa Reihana from New Zealand
  • Trace (2011) by Liu Jianhua from mainland China
  • I'm a Ghost in My Own House (2012) by Melati Suryodarmo from Indonesia
  • Rankin Street, 1953 (2013) by Naeem Mohaiemen from Bangladesh
  • Unsubtitled (2013) by Nguyen Trinh Thi from Vietnam
  • Infinite Love (2011) by Owen Leong from Australia
  • Letters From A Distance (2012-2014) by Peng Wei from mainland China
  • House of Opaque Water (2013) by Ranbir Kaleka from India
  • Mirage -- Disused Public Property in Taiwan (2010-2013) by Yao Jui-Chung + Lost Society Document (LSD) from Taiwan
  • Eskimo wolf trap often quoted in sermons (2013) by Zhao Renhui from Singapore

(For detailed artist' statements and biographies, please visit http://www.singaporeartmuseum.sg/apbfSAP2014.html)

Selecting this year's Finalists is a judging panel comprising Mr. Chris Saines, Director of Queensland Art Gallery | Gallery of Modern Art; Mr. Feng Boyi, eminent independent art curator and critic of Chinese contemporary art; Ms. Luckana Kunavichayanont, Director of Bangkok Art and Culture Center; Ms. Pooja Sood, Director of KHOJ International Artists' Association; and Dr. Susie Lingham, Director of Singapore Art Museum.

A statement from the jury panel stated, "We're excited to be presenting the finalists of the APB Foundation Signature Art Prize 2014. Narrowing the choice from over 100 works to the final 15 involved a rigorous selection process and intensive discussions -- testament to the high caliber of entries that were refined, rich and diverse. Overall, the 15 works selected offer a glimpse of the future of our region's rich and constantly evolving contemporary art scene. The finalist works stood out for their strength of concept and execution and despite stemming from such diverse contexts, histories and cultural backgrounds, cleverly explored similar issues of identity, immigration, urban expansion, depletion of natural resources, fading of old values, cultural diversity and more."

The work by Arin Rungjang, the only Thai artist shortlisted for the prestigious title, is a video installation that debuted at the Venice Biennale as part of the Thai Pavilion in 2014. Golden Teardrop revisits pivotal moments in Thai history and looks at the human movement and the exchange of cultures.

Other finalists works include Melati Suryodarmo's I'm a Ghost in My Own House, an intense and powerful 12-hour long performance that sees the artist grind and crush hundreds of kilograms of charcoal, a symbol of life's energy while Australian Owen Leong's Infinite Love, a visceral and poetic performance, explores the body as a physical site for social, cultural and political forces in relation to his Asian-Australian identity.

Employing the use of meditative visuals, Go Watanabe's One places / on "the room" presents a technically challenging and deeply absorbing piece that changes the way we look at time and space; Ranbir Kaleka's House of Opaque Water uses a narrative structure to present the idea of displacement and society's response to these situations; and New Zealander Lisa Reihana's work In Pursuit of Venus reflects the beauty of the Pacific Islands while offering a nuanced critique of its colonial legacies.

Works shortlisted from Singapore include Ho Tzu Nyen's PYTHAGORAS, a creation that serves as an immersive experience for audiences to explore the concept of the unseen and the concealment of power, sound or the voice; while Zhao Renhui's seemingly minimalist installation titled Eskimo wolf trap often quoted in sermons, draws on his experience of traveling through the Arctic and being overwhelmed by its starkness. From mainland China the works shortlisted include Liu Jianhua's Trace, a striking piece inspired by the traditional art forms of calligraphy and porcelain to comment on societal ills and Peng Wei's Letters from a Distance, which is steeped in traditional practices and utilizes Chinese aesthetic objects like scrolls and leaves melded together with texts from Western philosophers.

And from South Korea, Choe U-Ram's Custos Cavum (Guardian of the hole) takes the form of a mesmerizing and highly imaginative sculpture that depicts a mythical creature that is at once from the past yet also from an apocalyptic future.

Exemplifying how art has the power to highlight a social issue for scrutiny and exact real change, Yao Jui-Chung & Lost Society Document (LSD)'s Mirage -- Disused Public Property in Taiwan is an investigative political work on Taiwan's 'mosquito halls' while Nguyen Trinh Thi's Unsubtitled looks at freedom of expression through an installation about Nhan Van-Giai Pham -- a suppressed literary movement of the 1950s.

Finally, exploring spaces and places, Pakistan's Farida Batool's Kahani Eik Shehr Ki (story of a city) brings viewers on a walk down a busy city street in Lahore, capturing the side of a city that people may not know of via 21 long lenticular prints while Naeem Mohaiemen of Bangladesh presents Rankin Street, 1953, an intimate work that reveals the artist's memories of his family using his family home as the subject and uncovering the past through vintage photograph negatives.

The APB Foundation Signature Art Prize is worth $100,000 with $60,000 awarded to the Grand Prize winner and $15,000 each for two Jurors' Choice Award winners. A People's Choice Award of $10,000 will also be offered to the artwork that receives the highest number of public votes via on-site and online submissions (voting opens from 14 November 2014).

The APB Foundation Signature Art Prize Exhibition will take place at SAM from 14 November 2014 to 15 March 2015 with the winners announced at an awards ceremony on 22 January 2015. For more information, please visit the APB Foundation Signature Art Prize webpage at http://www.singaporeartmuseum.sg/apbfSAP2014.html.

About the Asia Pacific Breweries (APB) Foundation

Instituted in June 1994, the APB Foundation seeks to ignite compassion and inspire through our philanthropic efforts. We set resources in motion to help people and organisations improve talents, enhanced educational and research endeavours as well as better living conditions. In turn, we fuel society and enable the communities, where we live and work, to flourish.

Committed to supporting Human Excellence, Creativity Development and Humanitarian Causes, the APB Foundation is involved in a variety of initiatives that range from arts funding and backing talent-building projects for human capital development, to engaging in meaningful partnerships with organisations or individuals who share our common goal to serve the society.

The APB Foundation is a registered charity managed and funded by Heineken Asia Pacific Pte. Ltd. (HEINEKEN Asia Pacific).

About the Singapore Art Museum

The Singapore Art Museum (SAM) focuses on contemporary art practice in Singapore, Southeast Asia and Asia within the global context. It advocates and makes accessible interdisciplinary contemporary art through research-led and evolving curatorial practice. Opened in January 1996, SAM has built up one of the most important collections of contemporary art from the region. It seeks to seed and nourish a stimulating and creative space in Singapore through exhibitions and public programmes. These encompass cross-disciplinary residencies and exchanges, research and publications, as well as outreach and education. SAM was the organiser of the Singapore Biennale in 2011 and 2013.

SAM was incorporated as a Company Limited by Guarantee on 13 November 2013 and has moved from the National Heritage Board to the Visual Arts Cluster (VAC) under the Ministry of Culture, Community and Youth (MCCY). The other institutions under the VAC are the National Art Gallery, Singapore (NAGS), and the Singapore Tyler Print Institute (STPI).

For more information and images of the artists and judges, please contact:

Kimberly Mah

Lynn Sim

Ogilvy Public Relations

Singapore Art Museum

DID: +65-6213-9940

DID: +65-6697-9762

Email: kimberly.mah@ogilvy.com

Email: lynn.sim@singaporeartmuseum.sg



Janet Neo


Asia Pacific Breweries Foundation


DID: +65-6276-3488


Email: janet.neo@heineken.com


Logo - http://photos.prnasia.com/prnh/20140826/8521404797LOGO-a
Logo - http://photos.prnasia.com/prnh/20140826/8521404797LOGO-b

Read More »

In Pursuit of Venus by Lisa Reihana from New Zealand Shortlisted as Finalist in Third Asia Pacific Breweries Foundation Signature Art Prize

15 finalists vying for SGD 60,000 Grand Prize revealed today

AUCKLAND, New Zealand, Aug. 27, 2014 /PRNewswire/ -- The Singapore Art Museum (SAM) and Asia Pacific Breweries (APB) Foundation today announced the 15 finalists of the APB Foundation Signature Art Prize 2014. Now in its third installment, the prize spotlights the most compelling contemporary artworks created by artists in the Asia Pacific region over the last three years.

 

Selected by a panel of five eminent judges from around the region, the finalists' works were chosen from 105 nominated artworks from 24 countries and territories. Innovative and exciting creations from recent years, the contemporary artworks represent the very best of the region and are intentionally not limited by genre. Spanning various mediums from painting to sculpture, photography, video works and performance art, they each address topical issues and collectively shed light not just on our region's contemporary art landscape but also on the topics and conversations relevant in our society today.

The 15 finalists represent 13 countries and territories including Thailand, South Korea, Pakistan, Japan, Singapore, New Zealand, mainland China, Indonesia, Vietnam, Australia, India, Bangladesh and Taiwan. They include:

  • Golden Teardrop (2013) by Arin Rungjang from Thailand
  • Custos Cavum (Guardian of the hole) (2011) by Choe U-Ram from South Korea
  • Kahani Eik Shehr Ki (story of a city) (2012) by Farida Batool from Pakistan
  • One places / on "the room" (2013) by Go Watanabe from Japan
  • PYTHAGORAS (2013) by Ho Tzu Nyen from Singapore
  • In Pursuit of Venus (2012) by Lisa Reihana from New Zealand
  • Trace (2011) by Liu Jianhua from mainland China
  • I'm a Ghost in My Own House (2012) by Melati Suryodarmo from Indonesia
  • Rankin Street, 1953 (2013) by Naeem Mohaiemen from Bangladesh
  • Unsubtitled (2013) by Nguyen Trinh Thi from Vietnam
  • Infinite Love (2011) by Owen Leong from Australia
  • Letters From A Distance (2012-2014) by Peng Wei from mainland China
  • House of Opaque Water (2013) by Ranbir Kaleka from India
  • Mirage -- Disused Public Property in Taiwan (2010-2013) by Yao Jui-Chung + Lost Society Document (LSD) from Taiwan
  • Eskimo wolf trap often quoted in sermons (2013) by Zhao Renhui from Singapore

(For detailed artist' statements and biographies, please visit http://www.singaporeartmuseum.sg/apbfSAP2014.html)

Selecting this year's Finalists is a judging panel comprising Mr. Chris Saines, Director of Queensland Art Gallery | Gallery of Modern Art; Mr. Feng Boyi, eminent independent art curator and critic of Chinese contemporary art; Ms. Luckana Kunavichayanont, Director of Bangkok Art and Culture Center; Ms. Pooja Sood, Director of KHOJ International Artists' Association; and Dr. Susie Lingham, Director of Singapore Art Museum.

A statement from the jury panel stated, "We're excited to be presenting the finalists of the APB Foundation Signature Art Prize 2014. Narrowing the choice from over 100 works to the final 15 involved a rigorous selection process and intensive discussions -- testament to the high caliber of entries that were refined, rich and diverse. Overall, the 15 works selected offer a glimpse of the future of our region's rich and constantly evolving contemporary art scene. The finalist works stood out for their strength of concept and execution and despite stemming from such diverse contexts, histories and cultural backgrounds, cleverly explored similar issues of identity, immigration, urban expansion, depletion of natural resources, fading of old values, cultural diversity and more."

Lisa Reihana is the only finalist shortlisted from New Zealand for the prestigious title. Her video installation is a beautiful and spectacular piece titled In Pursuit of Venus which reflects the beauty of the Pacific Islands while offering a nuanced critique of its colonial legacies.

Other finalists works include Melati Suryodarmo's I'm a Ghost in My Own House, an intense and powerful 12-hour long performance that sees the artist grind and crush hundreds of kilograms of charcoal, a symbol of life's energy while Australian Owen Leong's Infinite Love, a visceral and poetic performance, explores the body as a physical site for social, cultural and political forces in relation to his Asian-Australian identity.

Employing the use of meditative visuals, Go Watanabe's One places / on "the room" presents a technically challenging and deeply absorbing piece that changes the way we look at time and space; Ranbir Kaleka's House of Opaque Water uses a narrative structure to present the idea of displacement and society's response to these situations.

Works shortlisted from Singapore include Ho Tzu Nyen's PYTHAGORAS, a creation that serves as an immersive experience for audiences to explore the concept of the unseen and the concealment of power, sound or the voice; while Zhao Renhui's seemingly minimalist installation titled Eskimo wolf trap often quoted in sermons, draws on his experience of traveling through the Arctic and being overwhelmed by its starkness.

From mainland China the works shortlisted include Liu Jianhua's Trace, a striking piece inspired by the traditional art forms of calligraphy and porcelain to comment on societal ills and Peng Wei's Letters from a Distance, which is steeped in traditional practices and utilizes Chinese aesthetic objects like scrolls and leaves melded together with texts from Western philosophers.

Choe U-Ram's Custos Cavum (Guardian of the hole) takes the form of a mesmerizing and highly imaginative sculpture that depicts a mythical creature that is at once from the past yet also from an apocalyptic future and Arin Rungjang's Golden Teardrop, revisits pivotal moments in Thai history and looks at the human movement and the exchange of cultures.

Exemplifying how art has the power to highlight a social issue for scrutiny and exact real change, Yao Jui-Chung & Lost Society Document (LSD)'s Mirage -- Disused Public Property in Taiwan is an investigative political work on Taiwan's 'mosquito halls' while Nguyen Trinh Thi's Unsubtitled looks at freedom of expression through an installation about Nhan Van-Giai Pham -- a suppressed literary movement of the 1950s.

Finally, exploring spaces and places, Pakistan's Farida Batool's Kahani Eik Shehr Ki (story of a city) brings viewers on a walk down a busy city street in Lahore, capturing the side of a city that people may not know of via 21 long lenticular prints while Naeem Mohaiemen of Bangladesh presents Rankin Street, 1953, an intimate work that reveals the artist's memories of his family using his family home as the subject and uncovering the past through vintage photograph negatives.

The APB Foundation Signature Art Prize is worth $100,000 with $60,000 awarded to the Grand Prize winner and $15,000 each for two Jurors' Choice Award winners. A People's Choice Award of $10,000 will also be offered to the artwork that receives the highest number of public votes via on-site and online submissions (voting opens from 14 November 2014).

The APB Foundation Signature Art Prize Exhibition will take place at SAM from 14 November 2014 to 15 March 2015 with the winners announced at an awards ceremony on 22 January 2015. For more information, please visit the APB Foundation Signature Art Prize webpage at http://www.singaporeartmuseum.sg/apbfSAP2014.html.

About the Asia Pacific Breweries (APB) Foundation

Instituted in June 1994, the APB Foundation seeks to ignite compassion and inspire through our philanthropic efforts. We set resources in motion to help people and organisations improve talents, enhanced educational and research endeavours as well as better living conditions. In turn, we fuel society and enable the communities, where we live and work, to flourish.

Committed to supporting Human Excellence, Creativity Development and Humanitarian Causes, the APB Foundation is involved in a variety of initiatives that range from arts funding and backing talent-building projects for human capital development, to engaging in meaningful partnerships with organisations or individuals who share our common goal to serve the society.

The APB Foundation is a registered charity managed and funded by Heineken Asia Pacific Pte. Ltd. (HEINEKEN Asia Pacific).

About the Singapore Art Museum

The Singapore Art Museum (SAM) focuses on contemporary art practice in Singapore, Southeast Asia and Asia within the global context. It advocates and makes accessible interdisciplinary contemporary art through research-led and evolving curatorial practice. Opened in January 1996, SAM has built up one of the most important collections of contemporary art from the region. It seeks to seed and nourish a stimulating and creative space in Singapore through exhibitions and public programmes. These encompass cross-disciplinary residencies and exchanges, research and publications, as well as outreach and education. SAM was the organiser of the Singapore Biennale in 2011 and 2013.

SAM was incorporated as a Company Limited by Guarantee on 13 November 2013 and has moved from the National Heritage Board to the Visual Arts Cluster (VAC) under the Ministry of Culture, Community and Youth (MCCY). The other institutions under the VAC are the National Art Gallery, Singapore (NAGS), and the Singapore Tyler Print Institute (STPI).

For more information and images of the artists and judges, please contact:

Kimberly Mah

Lynn Sim

Ogilvy Public Relations

Singapore Art Museum

DID: +65-6213-9940

DID: +65-6697-9762

Email: kimberly.mah@ogilvy.com

Email: lynn.sim@singaporeartmuseum.sg


Janet Neo


Asia Pacific Breweries Foundation


DID: +65-6276-3488


Email: janet.neo@heineken.com


Logo - http://photos.prnasia.com/prnh/20140826/8521404797LOGO-a
Logo - http://photos.prnasia.com/prnh/20140826/8521404797LOGO-b

 

Read More »

Infinite Love by Owen Leong from Australia Shortlisted as Finalist in Third Asia Pacific Breweries Foundation Signature Art Prize

15 finalists vying for SGD 60,000 Grand Prize revealed today

SYDNEY, Aug. 27, 2014 /PRNewswire/ -- The Singapore Art Museum (SAM) and Asia Pacific Breweries (APB) Foundation today announced the 15 finalists of the APB Foundation Signature Art Prize 2014. Now in its third installment, the prize spotlights the most compelling contemporary artworks created by artists in the Asia Pacific region over the last three years.

The Singapore Art Museum (SAM) Logo

Selected by a panel of five eminent judges from around the region, the finalists' works were chosen from 105 nominated artworks from 24 countries and territories. Innovative and exciting creations from recent years, the contemporary artworks represent the very best of the region and are intentionally not limited by genre. Spanning various mediums from painting to sculpture, photography, video works and performance art, they each address topical issues and collectively shed light not just on our region's contemporary art landscape but also on the topics and conversations relevant in our society today.

The 15 finalists represent 13 countries and territories including Thailand, South Korea, Pakistan, Japan, Singapore, New Zealand, mainland China, Indonesia, Vietnam, Australia, India, Bangladesh and Taiwan. They include:

  • Golden Teardrop (2013) by Arin Rungjang from Thailand
  • Custos Cavum (Guardian of the hole) (2011) by Choe U-Ram from South Korea
  • Kahani Eik Shehr Ki (story of a city) (2012) by Farida Batool from Pakistan
  • One places / on "the room" (2013) by Go Watanabe from Japan
  • PYTHAGORAS (2013) by Ho Tzu Nyen from Singapore
  • In Pursuit of Venus (2012) by Lisa Reihana from New Zealand
  • Trace (2011) by Liu Jianhua from mainland China
  • I'm a Ghost in My Own House (2012) by Melati Suryodarmo from Indonesia
  • Rankin Street, 1953 (2013) by Naeem Mohaiemen from Bangladesh
  • Unsubtitled (2013) by Nguyen Trinh Thi from Vietnam
  • Infinite Love (2011) by Owen Leong from Australia
  • Letters From A Distance (2012-2014) by Peng Wei from mainland China
  • House of Opaque Water (2013) by Ranbir Kaleka from India
  • Mirage -- Disused Public Property in Taiwan (2010-2013) by Yao Jui-Chung + Lost Society Document (LSD) from Taiwan
  • Eskimo wolf trap often quoted in sermons (2013) by Zhao Renhui from Singapore

(For detailed artist' statements and biographies, please visit http://www.singaporeartmuseum.sg/apbfSAP2014.html)

Selecting this year's Finalists is a judging panel comprising Mr. Chris Saines, Director of Queensland Art Gallery | Gallery of Modern Art; Mr. Feng Boyi, eminent independent art curator and critic of Chinese contemporary art; Ms. Luckana Kunavichayanont, Director of Bangkok Art and Culture Center; Ms. Pooja Sood, Director of KHOJ International Artists' Association; and Dr. Susie Lingham, Director of Singapore Art Museum.

A statement from the jury panel stated, "We're excited to be presenting the finalists of the APB Foundation Signature Art Prize 2014. Narrowing the choice from over 100 works to the final 15 involved a rigorous selection process and intensive discussions -- testament to the high caliber of entries that were refined, rich and diverse. Overall, the 15 works selected offer a glimpse of the future of our region's rich and constantly evolving contemporary art scene. The finalist works stood out for their strength of concept and execution and despite stemming from such diverse contexts, histories and cultural backgrounds, cleverly explored similar issues of identity, immigration, urban expansion, depletion of natural resources, fading of old values, cultural diversity and more."

Owen Leong's Infinite Love, a subtle video that is cleanly positioned yet extremely violent, is the only Australian artist shortlisted for the prestigious title. Infinite Love is a visceral and poetic performance that explores the body as a physical site for social, cultural and political forces in relation to his Asian-Australian identity.

Other finalists works include Melati Suryodarmo's I'm a Ghost in My Own House, an intense and powerful 12-hour long performance that sees the artist grind and crush hundreds of kilograms of charcoal, a symbol of life's energy. Choe U-Ram's Custos Cavum (Guardian of the hole) takes the form of a mesmerizing and highly imaginative sculpture that depicts a mythical creature that is at once from the past yet also from an apocalyptic future and Arin Rungjang's Golden Teardrop, revisits pivotal moments in Thai history and looks at the human movement and the exchange of cultures.

Employing the use of meditative visuals, Go Watanabe's One places / on "the room" presents a technically challenging and deeply absorbing piece that changes the way we look at time and space; Ranbir Kaleka's House of Opaque Water uses a narrative structure to present the idea of displacement and society's response to these situations; and New Zealander Lisa Reihana's work In Pursuit of Venus reflects the beauty of the Pacific Islands while offering a nuanced critique of its colonial legacies.

Works shortlisted from Singapore include Ho Tzu Nyen's PYTHAGORAS, a creation that serves as an immersive experience for audiences to explore the concept of the unseen and the concealment of power, sound or the voice; while Zhao Renhui's seemingly minimalist installation titled Eskimo wolf trap often quoted in sermons, draws on his experience of traveling through the Arctic and being overwhelmed by its starkness.

From mainland China the works shortlisted include Liu Jianhua's Trace, a striking piece inspired by the traditional art forms of calligraphy and porcelain to comment on societal ills and Peng Wei's Letters from a Distance, which is steeped in traditional practices and utilizes Chinese aesthetic objects like scrolls and leaves melded together with texts from Western philosophers.

Exemplifying how art has the power to highlight a social issue for scrutiny and exact real change, Yao Jui-Chung & Lost Society Document (LSD)'s Mirage -- Disused Public Property in Taiwan is an investigative political work on Taiwan's "mosquito halls" while Nguyen Trinh Thi's Unsubtitled looks at freedom of expression through an installation about Nhan Van-Giai Pham -- a suppressed literary movement of the 1950s.

Finally, exploring spaces and places, Pakistan's Farida Batool's Kahani Eik Shehr Ki (story of a city) brings viewers on a walk down a busy city street in Lahore, capturing the side of a city that people may not know of via 21 long lenticular prints while Naeem Mohaiemen of Bangladesh presents Rankin Street, 1953, an intimate work that reveals the artist's memories of his family using his family home as the subject and uncovering the past through vintage photograph negatives.

The APB Foundation Signature Art Prize is worth $100,000 with $60,000 awarded to the Grand Prize winner and $15,000 each for two Jurors' Choice Award winners. A People's Choice Award of $10,000 will also be offered to the artwork that receives the highest number of public votes via on-site and online submissions (voting opens from 14 November 2014).

The APB Foundation Signature Art Prize Exhibition will take place at SAM from 14 November 2014 to 15 March 2015 with the winners announced at an awards ceremony on 22 January 2015. For more information, please visit the APB Foundation Signature Art Prize webpage at http://www.singaporeartmuseum.sg/apbfSAP2014.html.

About the Asia Pacific Breweries (APB) Foundation

Instituted in June 1994, the APB Foundation seeks to ignite compassion and inspire through our philanthropic efforts. We set resources in motion to help people and organisations improve talents, enhanced educational and research endeavours as well as better living conditions. In turn, we fuel society and enable the communities, where we live and work, to flourish.

Committed to supporting Human Excellence, Creativity Development and Humanitarian Causes, the APB Foundation is involved in a variety of initiatives that range from arts funding and backing talent-building projects for human capital development, to engaging in meaningful partnerships with organisations or individuals who share our common goal to serve the society.

The APB Foundation is a registered charity managed and funded by Heineken Asia Pacific Pte. Ltd. (HEINEKEN Asia Pacific).

About the Singapore Art Museum

The Singapore Art Museum (SAM) focuses on contemporary art practice in Singapore, Southeast Asia and Asia within the global context. It advocates and makes accessible interdisciplinary contemporary art through research-led and evolving curatorial practice. Opened in January 1996, SAM has built up one of the most important collections of contemporary art from the region. It seeks to seed and nourish a stimulating and creative space in Singapore through exhibitions and public programmes. These encompass cross-disciplinary residencies and exchanges, research and publications, as well as outreach and education. SAM was the organiser of the Singapore Biennale in 2011 and 2013.

SAM was incorporated as a Company Limited by Guarantee on 13 November 2013 and has moved from the National Heritage Board to the Visual Arts Cluster (VAC) under the Ministry of Culture, Community and Youth (MCCY). The other institutions under the VAC are the National Art Gallery, Singapore (NAGS), and the Singapore Tyler Print Institute (STPI).

For more information and images of the artists and judges, please contact:

Kimberly Mah

Lynn Sim

Ogilvy Public Relations

Singapore Art Museum

DID: +65-6213-9940

DID: +65-6697-9762

Email: kimberly.mah@ogilvy.com

Email: lynn.sim@singaporeartmuseum.sg


Janet Neo


Asia Pacific Breweries Foundation


DID: +65-6276-3488


Email: janet.neo@heineken.com


Logo - http://photos.prnasia.com/prnh/20140826/8521404797LOGO-a
Logo - http://photos.prnasia.com/prnh/20140826/8521404797LOGO-b

Read More »

I’m a Ghost in My Own House by Melati Suryodarmo from Indonesia Shortlisted as Finalist in Third Asia Pacific Breweries Foundation Signature Art Prize

15 finalists vying for SGD 60,000 Grand Prize revealed today

SURAKARTA, Indonesia, Aug. 27, 2014 /PRNewswire/ -- The Singapore Art Museum (SAM) and Asia Pacific Breweries (APB) Foundation today announced the 15 finalists of the APB Foundation Signature Art Prize 2014. Now in its third installment, the prize spotlights the most compelling contemporary artworks created by artists in the Asia Pacific region over the last three years.

 

The Singapore Art Museum (SAM) Logo

Selected by a panel of five eminent judges from around the region, the finalists' works were chosen from 105 nominated artworks from 24 countries and territories. Innovative and exciting creations from recent years, the contemporary artworks represent the very best of the region and are intentionally not limited by genre. Spanning various mediums from painting to sculpture, photography, video works and performance art, they each address topical issues and collectively shed light not just on our region's contemporary art landscape but also on the topics and conversations relevant in our society today.

The 15 finalists represent 13 countries and territories including Thailand, South Korea, Pakistan, Japan, Singapore, New Zealand, mainland China, Indonesia, Vietnam, Australia, India, Bangladesh and Taiwan. They include:

  • Golden Teardrop (2013) by Arin Rungjang from Thailand
  • Custos Cavum (Guardian of the hole) (2011) by Choe U-Ram from South Korea
  • Kahani Eik Shehr Ki (story of a city) (2012) by Farida Batool from Pakistan
  • One places / on "the room" (2013) by Go Watanabe from Japan
  • PYTHAGORAS (2013) by Ho Tzu Nyen from Singapore
  • In Pursuit of Venus (2012) by Lisa Reihana from New Zealand
  • Trace (2011) by Liu Jianhua from mainland China
  • I'm a Ghost in My Own House (2012) by Melati Suryodarmo from Indonesia
  • Rankin Street, 1953 (2013) by Naeem Mohaiemen from Bangladesh
  • Unsubtitled (2013) by Nguyen Trinh Thi from Vietnam
  • Infinite Love (2011) by Owen Leong from Australia
  • Letters From A Distance (2012-2014) by Peng Wei from mainland China
  • House of Opaque Water (2013) by Ranbir Kaleka from India
  • Mirage -- Disused Public Property in Taiwan (2010-2013) by Yao Jui-Chung + Lost Society Document (LSD) from Taiwan
  • Eskimo wolf trap often quoted in sermons (2013) by Zhao Renhui from Singapore

(For detailed artist' statements and biographies, please visit http://www.singaporeartmuseum.sg/apbfSAP2014.html)

Selecting this year's Finalists is a judging panel comprising Mr. Chris Saines, Director of Queensland Art Gallery | Gallery of Modern Art; Mr. Feng Boyi, eminent independent art curator and critic of Chinese contemporary art; Ms. Luckana Kunavichayanont, Director of Bangkok Art and Culture Center; Ms. Pooja Sood, Director of KHOJ International Artists' Association; and Dr. Susie Lingham, Director of Singapore Art Museum.

A statement from the jury panel stated, "We're excited to be presenting the finalists of the APB Foundation Signature Art Prize 2014. Narrowing the choice from over 100 works to the final 15 involved a rigorous selection process and intensive discussions -- testament to the high caliber of entries that were refined, rich and diverse. Overall, the 15 works selected offer a glimpse of the future of our region's rich and constantly evolving contemporary art scene. The finalist works stood out for their strength of concept and execution and despite stemming from such diverse contexts, histories and cultural backgrounds, cleverly explored similar issues of identity, immigration, urban expansion, depletion of natural resources, fading of old values, cultural diversity and more."

I'm a Ghost in My Own House by Melati Suryodarmo, the only Indonesian finalist shortlisted for the prestigious title, is an intense and powerful 12-hour long performance that sees the artist grind and crush hundreds of kilograms of charcoal, a symbol of life's energy.

Other finalists works include Australian Owen Leong's Infinite Love, a visceral and poetic performance, explores the body as a physical site for social, cultural and political forces in relation to his Asian-Australian identity.

Employing the use of meditative visuals, Go Watanabe's One places / on "the room" presents a technically challenging and deeply absorbing piece that changes the way we look at time and space; Ranbir Kaleka's House of Opaque Water uses a narrative structure to present the idea of displacement and society's response to these situations; and New Zealander Lisa Reihana's work In Pursuit of Venus reflects the beauty of the Pacific Islands while offering a nuanced critique of its colonial legacies.

From mainland China the works shortlisted include Liu Jianhua's Trace, a striking piece inspired by the traditional art forms of calligraphy and porcelain to comment on societal ills and Peng Wei's Letters from a Distance, which is steeped in traditional practices and utilizes Chinese aesthetic objects like scrolls and leaves melded together with texts from Western philosophers.

Choe U-Ram's Custos Cavum (Guardian of the hole) takes the form of a mesmerizing and highly imaginative sculpture that depicts a mythical creature that is at once from the past yet also from an apocalyptic future and Arin Rungjang's Golden Teardrop, revisits pivotal moments in Thai history and looks at the human movement and the exchange of cultures.

Works shortlisted from Singapore include Ho Tzu Nyen's PYTHAGORAS, a creation that serves as an immersive experience for audiences to explore the concept of the unseen and the concealment of power, sound or the voice; while Zhao Renhui's seemingly minimalist installation titled Eskimo wolf trap often quoted in sermons, draws on his experience of traveling through the Arctic and being overwhelmed by its starkness.

Exemplifying how art has the power to highlight a social issue for scrutiny and exact real change, Yao Jui-Chung & Lost Society Document (LSD)'s Mirage -- Disused Public Property in Taiwan is an investigative political work on Taiwan's 'mosquito halls' while Nguyen Trinh Thi Unsubtitled looks at freedom of expression through an installation about Nhan Van-Giai Pham -- a suppressed literary movement of the 1950s.

Finally, exploring spaces and places, Pakistan's Farida Batool's Kahani Eik Shehr Ki (story of a city) brings viewers on a walk down a busy city street in Lahore, capturing the side of a city that people may not know of via 21 long lenticular prints while Naeem Mohaiemen of Bangladesh presents Rankin Street, 1953, an intimate work that reveals the artist's memories of his family using his family home as the subject and uncovering the past through vintage photograph negatives.

The APB Foundation Signature Art Prize is worth $100,000 with $60,000 awarded to the Grand Prize winner and $15,000 each for two Jurors' Choice Award winners. A People's Choice Award of $10,000 will also be offered to the artwork that receives the highest number of public votes via on-site and online submissions (voting opens from 14 November 2014).

The APB Foundation Signature Art Prize Exhibition will take place at SAM from 14 November 2014 to 15 March 2015 with the winners announced at an awards ceremony on 22 January 2015. For more information, please visit the APB Foundation Signature Art Prize webpage at http://www.singaporeartmuseum.sg/apbfSAP2014.html.

About the Asia Pacific Breweries (APB) Foundation

Instituted in June 1994, the APB Foundation seeks to ignite compassion and inspire through our philanthropic efforts. We set resources in motion to help people and organisations improve talents, enhanced educational and research endeavours as well as better living conditions. In turn, we fuel society and enable the communities, where we live and work, to flourish.

Committed to supporting Human Excellence, Creativity Development and Humanitarian Causes, the APB Foundation is involved in a variety of initiatives that range from arts funding and backing talent-building projects for human capital development, to engaging in meaningful partnerships with organisations or individuals who share our common goal to serve the society.

The APB Foundation is a registered charity managed and funded by Heineken Asia Pacific Pte. Ltd. (HEINEKEN Asia Pacific).

About the Singapore Art Museum

The Singapore Art Museum (SAM) focuses on contemporary art practice in Singapore, Southeast Asia and Asia within the global context. It advocates and makes accessible interdisciplinary contemporary art through research-led and evolving curatorial practice. Opened in January 1996, SAM has built up one of the most important collections of contemporary art from the region. It seeks to seed and nourish a stimulating and creative space in Singapore through exhibitions and public programmes. These encompass cross-disciplinary residencies and exchanges, research and publications, as well as outreach and education. SAM was the organiser of the Singapore Biennale in 2011 and 2013.

SAM was incorporated as a Company Limited by Guarantee on 13 November 2013 and has moved from the National Heritage Board to the Visual Arts Cluster (VAC) under the Ministry of Culture, Community and Youth (MCCY). The other institutions under the VAC are the National Art Gallery, Singapore (NAGS), and the Singapore Tyler Print Institute (STPI).

For more information and images of the artists and judges, please contact:

Kimberly Mah

Lynn Sim

Ogilvy Public Relations

Singapore Art Museum

DID: +65-6213-9940

DID: +65-6697-9762

Email: kimberly.mah@ogilvy.com

Email: lynn.sim@singaporeartmuseum.sg



Janet Neo


Asia Pacific Breweries Foundation


DID: +65-6276-3488


Email: janet.neo@heineken.com


Logo - http://photos.prnasia.com/prnh/20140826/8521404797LOGO-a
Logo - http://photos.prnasia.com/prnh/20140826/8521404797LOGO-b

Read More »

Unsubtitled by Nguyen Trinh Thi from Vietnam Shortlisted as Finalist in Third Asia Pacific Breweries Foundation Signature Art Prize

15 finalists vying for SGD 60,000 Grand Prize revealed today

HANOI, Vietnam, Aug. 27, 2014 /PRNewswire/ -- The Singapore Art Museum (SAM) and Asia Pacific Breweries (APB) Foundation today announced the 15 finalists of the APB Foundation Signature Art Prize 2014. Now in its third installment, the prize spotlights the most compelling contemporary artworks created by artists in the Asia Pacific region over the last three years.

Selected by a panel of five eminent judges from around the region, the finalists' works were chosen from 105 nominated artworks from 24 countries and territories. Innovative and exciting creations from recent years, the contemporary artworks represent the very best of the region and are intentionally not limited by genre. Spanning various mediums from painting to sculpture, photography, video works and performance art, they each address topical issues and collectively shed light not just on our region's contemporary art landscape but also on the topics and conversations relevant in our society today.

The 15 finalists represent 13 countries and territories including Thailand, South Korea, Pakistan, Japan, Singapore, New Zealand, mainland China, Indonesia, Vietnam, Australia, India, Bangladesh and Taiwan. They include:

  • Golden Teardrop (2013) by Arin Rungjang from Thailand
  • Custos Cavum (Guardian of the hole) (2011) by Choe U-Ram from South Korea
  • Kahani Eik Shehr Ki (story of a city) (2012) by Farida Batool from Pakistan
  • One places / on "the room" (2013) by Go Watanabe from Japan
  • PYTHAGORAS (2013) by Ho Tzu Nyen from Singapore
  • In Pursuit of Venus (2012) by Lisa Reihana from New Zealand
  • Trace (2011) by Liu Jianhua from China
  • I'm a Ghost in My Own House (2012) by Melati Suryodarmo from Indonesia
  • Rankin Street, 1953 (2013) by Naeem Mohaiemen from Bangladesh
  • Unsubtitled (2013) by Nguyen Trinh Thi from Vietnam
  • Infinite Love (2011) by Owen Leong from Australia
  • Letters From A Distance (2012-2014) by Peng Wei from mainland China
  • House of Opaque Water (2013) by Ranbir Kaleka from India
  • Mirage -- Disused Public Property in Taiwan (2010-2013) by Yao Jui-Chung + Lost Society Document (LSD) from Taiwan
  • Eskimo wolf trap often quoted in sermons (2013) by Zhao Renhui from Singapore

(For detailed artist' statements and biographies, please visit http://www.singaporeartmuseum.sg/apbfSAP2014.html)

Selecting this year's Finalists is a judging panel comprising Mr. Chris Saines, Director of Queensland Art Gallery | Gallery of Modern Art; Mr. Feng Boyi, eminent independent art curator and critic of Chinese contemporary art; Ms. Luckana Kunavichayanont, Director of Bangkok Art and Culture Center; Ms. Pooja Sood, Director of KHOJ International Artists' Association; and Dr. Susie Lingham, Director of Singapore Art Museum.

A statement from the jury panel stated, "We're excited to be presenting the finalists of the APB Foundation Signature Art Prize 2014. Narrowing the choice from over 100 works to the final 15 involved a rigorous selection process and intensive discussions -- testament to the high caliber of entries that were refined, rich and diverse. Overall, the 15 works selected offer a glimpse of the future of our region's rich and constantly evolving contemporary art scene. The finalist works stood out for their strength of concept and execution and despite stemming from such diverse contexts, histories and cultural backgrounds, cleverly explored similar issues of identity, immigration, urban expansion, depletion of natural resources, fading of old values, cultural diversity and more."

Unsubtitled by Nguyen Trihn Thi is the only Vietnamese work shortlisted for the prestigious title. Her work is a hauntingly thought-provoking video installation that looks at freedom of expression through an installation about Nhan Van-Giai Pham -- a suppressed literary movement of the 1950s.

Other finalists works include Melati Suryodarmo's I'm a Ghost in My Own House, an intense and powerful 12-hour long performance that sees the artist grind and crush hundreds of kilograms of charcoal, a symbol of life's energy while Australian Owen Leong's Infinite Love, a visceral and poetic performance, explores the body as a physical site for social, cultural and political forces in relation to his Asian-Australian identity.

Employing the use of meditative visuals, Go Watanabe's One places / on "the room" presents a technically challenging and deeply absorbing piece that changes the way we look at time and space; Ranbir Kaleka's House of Opaque Water uses a narrative structure to present the idea of displacement and society's response to these situations; and New Zealander Lisa Reihana's work In Pursuit of Venus reflects the beauty of the Pacific Islands while offering a nuanced critique of its colonial legacies.

From mainland China the works shortlisted include Liu Jianhua's Trace, a striking piece inspired by the traditional art forms of calligraphy and porcelain to comment on societal ills and Peng Wei's Letters from a Distance, which is steeped in traditional practices and utilizes Chinese aesthetic objects like scrolls and leaves melded together with texts from Western philosophers.

Works shortlisted from Singapore include Ho Tzu Nyen's PYTHAGORAS, a creation that serves as an immersive experience for audiences to explore the concept of the unseen and the concealment of power, sound or the voice; while Zhao Renhui's seemingly minimalist installation titled Eskimo wolf trap often quoted in sermons, draws on his experience of traveling through the Arctic and being overwhelmed by its starkness. Choe U-Ram's Custos Cavum (Guardian of the hole) takes the form of a mesmerizing and highly imaginative sculpture that depicts a mythical creature that is at once from the past yet also from an apocalyptic future and Arin Rungjang's Golden Teardrop, revisits pivotal moments in Thai history and looks at the human movement and the exchange of cultures.

Exemplifying how art has the power to highlight a social issue for scrutiny and exact real change, Yao Jui-Chung & Lost Society Document (LSD)'s Mirage -- Disused Public Property in Taiwan is an investigative political work on Taiwan's "mosquito halls".

Finally, exploring spaces and places, Pakistan's Farida Batool's Kahani Eik Shehr Ki (story of a city) brings viewers on a walk down a busy city street in Lahore, capturing the side of a city that people may not know of via 21 long lenticular prints while Naeem Mohaiemen of Bangladesh presents Rankin Street, 1953, an intimate work that reveals the artist's memories of his family using his family home as the subject and uncovering the past through vintage photograph negatives.

The APB Foundation Signature Art Prize is worth $100,000 with $60,000 awarded to the Grand Prize winner and $15,000 each for two Jurors' Choice Award winners. A People's Choice Award of $10,000 will also be offered to the artwork that receives the highest number of public votes via on-site and online submissions (voting opens from 14 November 2014).

The APB Foundation Signature Art Prize Exhibition will take place at SAM from 14 November 2014 to 15 March 2015 with the winners announced at an awards ceremony on 22 January 2015. For more information, please visit the APB Foundation Signature Art Prize webpage at http://www.singaporeartmuseum.sg/apbfSAP2014.html.

About the Asia Pacific Breweries (APB) Foundation

Instituted in June 1994, the APB Foundation seeks to ignite compassion and inspire through our philanthropic efforts. We set resources in motion to help people and organisations improve talents, enhanced educational and research endeavours as well as better living conditions. In turn, we fuel society and enable the communities, where we live and work, to flourish.

Committed to supporting Human Excellence, Creativity Development and Humanitarian Causes, the APB Foundation is involved in a variety of initiatives that range from arts funding and backing talent-building projects for human capital development, to engaging in meaningful partnerships with organisations or individuals who share our common goal to serve the society.

The APB Foundation is a registered charity managed and funded by Heineken Asia Pacific Pte. Ltd. (HEINEKEN Asia Pacific).

About the Singapore Art Museum

The Singapore Art Museum (SAM) focuses on contemporary art practice in Singapore, Southeast Asia and Asia within the global context. It advocates and makes accessible interdisciplinary contemporary art through research-led and evolving curatorial practice. Opened in January 1996, SAM has built up one of the most important collections of contemporary art from the region. It seeks to seed and nourish a stimulating and creative space in Singapore through exhibitions and public programmes. These encompass cross-disciplinary residencies and exchanges, research and publications, as well as outreach and education. SAM was the organiser of the Singapore Biennale in 2011 and 2013.

SAM was incorporated as a Company Limited by Guarantee on 13 November 2013 and has moved from the National Heritage Board to the Visual Arts Cluster (VAC) under the Ministry of Culture, Community and Youth (MCCY). The other institutions under the VAC are the National Art Gallery, Singapore (NAGS), and the Singapore Tyler Print Institute (STPI).

For more information and images of artists and judges, please contact:

Kimberly Mah

Lynn Sim

Ogilvy Public Relations

Singapore Art Museum

DID: +65-6213-9940

DID: +65-6697-9762

Email: kimberly.mah@ogilvy.com

Email: lynn.sim@singaporeartmuseum.sg


Janet Neo


Asia Pacific Breweries Foundation


DID: +65-6276-3488


Email: janet.neo@heineken.com


Logo - http://photos.prnasia.com/prnh/20140826/8521404797LOGO-a
Logo - http://photos.prnasia.com/prnh/20140826/8521404797LOGO-b

Read More »